At the intersection of contemporary art and publishing, Ordet and its sister project Lenz Press champion a thoughtful, sustainable, and collaborative approach to cultural production in today’s accelerated world

From trauma to care, absence to collective memory: The Max Mara Art Prize for Women as a space of production, reflection, and resistance in European contemporary art history

Collars embodied the split personality: one edge pressed and buttoned with couture precision, the other casually sprung upward. At Dior, Jonathan Anderson brings roughness into dialogue with polish

From the green heart of Parco Sempione to the layered histories of Villa Tasca, Terraforma Exo 2025 turns architecture and landscape into instruments. An interview with founder Ruggero Pietromarchi

From Paris suburbs to Philadelphia stables, Mohamed Bourouissa interrogates the politics of representation and community in urban peripheries across twenty years of projects

Jenna Gribbon’s first solo show in Milan challenges the definition of looking, inviting the viewer to step into the artist’s place and inhabit her subjectivity

A collection of early 20th-century newspapers from around the world has been rediscovered at the Vatican Apostolic Library. The House of Dior is establishing a scholarship to study it

The Valentino Garavani & Giancarlo Giammetti Foundation unveils Orizzonti Rosso at PM23—an homage to the signature hue that defines their story. More than glittering parties and fairy-tale princesses, their vision once put Rome’s culture on the world stage

The power of statues lies in their resemblance to us. Any human body could be cast in stone or bronze. Yet, as Judith Butler reminds us, for a body to be monumentalized it must first matter

First-time and emerging participants reshape discourse, with Azerbaijan’s “Equilibrium” and Latvia’s border defenses challenging the Arsenale’s traditional Western narrative