/ Culture

/ Humanities

Home Fetish: a Visual Exploration of Obsession, Comfort, and Domestic Rituals

Through the lens of Lorenzo Venturini: Home Fetish unveils the ambiguous relationship between the self and domestic space, where comfort becomes obsession and everyday objects turn into fetishes

/ the art field

Not more, but deeper: Ordet’s curatorial and editorial vision

At the intersection of contemporary art and publishing, Ordet and its sister project Lenz Press champion a thoughtful, sustainable, and collaborative approach to cultural production in today’s accelerated world

/ the art field

Sofia Zevi: I don’t use Instagram, I don’t need it

As society chases constant novelty, —yet the value of honest endures. Sofia Zevi and the need to be critical, today when everything seems to have to be 'wow' on social media

/ Humanities

Twenty years of women’s art revealing the fractures of our time

From trauma to care, absence to collective memory: The Max Mara Art Prize for Women as a space of production, reflection, and resistance in European contemporary art history

/ Fashion

Jonathan Anderson’s Dior: Merging Raw Edge with Classicism

Collars embodied the split personality: one edge pressed and buttoned with couture precision, the other casually sprung upward. At Dior, Jonathan Anderson brings roughness into dialogue with polish

/ Humanities

Who is the power bottom? – phenomenology and terminology of a sexual role

When it comes to sexual roles in the LGBTQ+ community, the terminology can get slippery. Exploring the meaning of power bottom and the alleged threat to masculinity

/ Fashion

The Paul Smith Archive: Sugar Cubes and Hundreds of Rabbits

A visit to Paul Smith's studio and a train trip to Nottingham the next day: for the first time, the complete archive in its catalog is presented to the public

/ The Sound Industry

Terraforma Exo 2025 explores sound as a tool for ecological transformation

From the green heart of Parco Sempione to the layered histories of Villa Tasca, Terraforma Exo 2025 turns architecture and landscape into instruments. An interview with founder Ruggero Pietromarchi

/ Humanities

Black Cowboys, Banlieues, and Beyond: Twenty Years of Mohamed Bourouissa

From Paris suburbs to Philadelphia stables, Mohamed Bourouissa interrogates the politics of representation and community in urban peripheries across twenty years of projects

/ the art field

Rainbows in Shadows by Jenna Gribbon: seeing and being seen

Jenna Gribbon’s first solo show in Milan challenges the definition of looking, inviting the viewer to step into the artist’s place and inhabit her subjectivity

/ The Publishing Industry

En Route magazine and the story of Cesare Poma: an exhibition at the Vatican Library

A collection of early 20th-century newspapers from around the world has been rediscovered at the Vatican Apostolic Library. The House of Dior is establishing a scholarship to study it

/ Fashion

Red, love, perfection and cruelty – Valentino and Giancarlo Giammetti

The Valentino Garavani & Giancarlo Giammetti Foundation unveils Orizzonti Rosso at PM23—an homage to the signature hue that defines their story. More than glittering parties and fairy-tale princesses, their vision once put Rome’s culture on the world stage

/ Humanities

Lucille Durez: Statues, Bodies, and the Politics of Visibility – Why Monumentality Still Matters

The power of statues lies in their resemblance to us. Any human body could be cast in stone or bronze. Yet, as Judith Butler reminds us, for a body to be monumentalized it must first matter

/ literature

Michael Bible Finds Freedom in Failure: “Success Is Killing Us”

In Goodbye Hotel Michael Bible intertwines ecology and spirituality, exploring post-capitalist desolation. The novel invites us to see the world through the ancient lens of a nature destined to outlive us

/ The Publishing Industry

Marie Tomanova’s New Volume Confronts Identity, Migration, and Belonging

Marie Tomanova recovers a photographic archive from the beginning of her career, challenging the norms of photography with a single 36-exposure roll of film

/ architecture

New Voices in Venice: Azerbaijan, Latvia, Lebanon and more at Biennale 2025

First-time and emerging participants reshape discourse, with Azerbaijan’s “Equilibrium” and Latvia’s border defenses challenging the Arsenale’s traditional Western narrative

/ Humanities

Cross Cultural Chairs: The Chair as a Form of Identity and Belonging in the World

Matteo Guarnaccia’s project challenges the global standardization of chair design: postures, materials, and practices shared between artisans, designers, and local communities

/ Fashion

Stories of power and sustainability: what does Avignon’s arc mean today?

Catholic chronicles and Louis Vuitton at the Palais des Papes: life in a dislocated center as a path to sustainability—Avignon, a UNESCO site, short supply chains, local jobs

/ Fashion

Maria Grazia Chiuri in Rome at Villa Albani: after nine years of activism at Dior

Maria Grazia Chiuri ends her tenure at Dior with a show at Villa Albani and a string of Roman references: Mimi Pecci Blunt, Teatro Cometa, Pietro Ruffo’s zodiac, and the Torlonia Foundation

/ biennale, Digital World, Ethical Entrepreneurship

Consumerism and Built-in Obsolescence, in Counterpoint to Adriano Olivetti

An implied contradiction: Formafantasma’s reflection on consumerism and Technological Obsolescence takes place in Venice at the Olivetti store—a primary reference for the purpose economy

/ cinema

Andrei Ujică: An Aesthetic Eye on Revolutions

From the fall of the Soviet Union to the arrival of the Beatles, the Romanian master filmmaker Andrei Ujică’s work draws on archival footage to depict the upheavals of the Twentieth century

/ architecture

Why Rome’s Palazzine Matter to Global Architectural History

The palazzina took shape within the milieu of a prosperous upper-middle class: the architects and key figures who reshaped the Eternal City between the 1930s and the 1980s

/ Lampoon Issue 31

Amanda Ba, For Sports: Finding Culture in Athleticism

The rawness is being willing to take an L and take a risk and change something. Maybe it'll make you less popular than you were before, but you're trying something new. Interview with Amanda Ba

/ Fashion

Dior show at Villa Albani Torlonia: the garden where Neoclassicism was born

In the garden that served as a laboratory of Neoclassicism—where Winckelmann and Cardinal Albani reinvented the dialogue between ancient art and nature—the show is a tribute to the cultural ties that have linked Italy to the Maison since 1947

/ biennale

At the Biennale, it’s all sweat: a trillion trees—nothing else will save us

Introduction to Carlo Ratti’s Architecture Biennale: the lone subject is sustainability—a “mind-boggling” number of trees, humanity on its knees, sweat, heat, and a bacterial population boom

/ Lampoon Issue 31

About the Circle: Eduard Sánchez Ribot explores roundness

Roundness is the oldest gesture in design, and yet it still finds fresh ways to speak. In this series Eduard Sánchez Ribot wanders that endless curve, pairing icons of craft with the quiet insistence of the circle

/ Humanities

Mathis Chevalier – leave it to an MMA fighter to destroy toxic masculinity

As a teenager, Mathis Chevalier had trouble fitting into the school system. MMA helped him with his anger and frustration, until he decided it was time to deconstruct machismo

/ The Publishing Industry

Yvon Lambert’s Paris outpost reinvents the classic gallery

Weaving a bookshop, a publishing house, and a spirit of serendipity into an ever‑shifting cultural laboratory – Yvon Lambert is currently showcasing Distances, the new exhibition by photographer Romain Laprade

/ Lampoon Issue 31

Rebekah Campbell for Lampoon 31

New York City, USA. Photography Rebekah Campbell, Styling Cece Liu

/ Photography

I stare at a location and think about how to make it queer

«I draw some stick people in awkward positions and hope the models can interpret my bad sketches», the way to AdeY brings inner world to life

/ Fashion

Chanel and Italian manufacturers: acquisitions and a show on Lake Como

On the occasion of Chanel’s show in Como, the house’s commitment to shoring up the Italian manufacturers in its supply chain—stories and snapshots from the annals of Italian style

/ Fashion

Anna Wintour and Donald Trump: same culture, same Boomer attitude

Met Gala 2025: the same useless swagger—because only money matters; no future, no sustainability. Trump’s “Drill Baby Drill” becomes Wintour’s “Drill Baby Dance”

/ The Sound Industry

DJ Hell on Raw Analog Sound: Resisting Industry Over-Polish

I never want my music to sound too clean or safe; it needs an edge and a sense that anything can happen. My music is never about polished perfection: it’s about capturing raw energy

/ Humanities

Intertwined: Spyros Rennt baring an evolving vision of intimacy and selfhood

The archiving of softness, Spyros Rennt continues his documentary work, showing a side of queer subculture we haven’t seen from his lens before in his new self-published photobook, Intertwined

/ Lampoon Issue 31, The Sound Industry

Bobby Beethoven: Music is the One Spell Humanity Hasn’t Totally Ruined Yet

I’m not living an environmentally conscious life. I eat factory-farmed animals. I’ve flown to the other side of the planet to DJ one event, not even slept and flown directly back home. It’s disgusting. Survival is disgusting

/ the art field

Can Juergen Teller be Just Like Us?

In 7 ½ at Sabbioneta’s Palazzo Giardino, Juergen Teller and Dovile Drizyte turns historic ceilings and raw snapshots into an intimate stage for love, legacy, and domestic spectacle

/ The Publishing Industry

Joel Dicker: the Writer and the Publisher

When you take a game-changing decision, you don't understand what you’re doing. An interview with Joel Dicker, the worldwide bestselling author who decided to start his own publishing house, Rosie & Wolfe – an independent one

/ Lampoon Issue 31

The Culture of Curiosity: Global Creatives on Raw Freedom and Responsible Innovation

Seven talents from the creative scene bring their vision to a Chanel special for Lampoon 31: from meme semiotics to feminist fantasy, each voice champions tactile experience and autonomy over commercial conformity

/ The Publishing Industry

Industry, Intimacy, Illumination: Ten Years of Lampoon at Dinner with Chanel

As Chanel prepares to present its Cruise Collection on Lake Como on 29 April, a Milan dinner for Lampoon Issue 31 marks the magazine’s decade in print

/ Lampoon Issue 31, the art field

Oda Jaune Reclaiming Wings: Angels Among Ruins

Being religious was nearly a crime. At home, my parents trained me to answer school ques- tions carefully, to evade, to feign indifference. No one could know we were believers - every- one watched everyone

/ Fashion, Lampoon Issue 31

Community as brand infrastructure: Nada van Dalen and Rotterdam’s independent creative scene

Positioning is the asset – fashion designer Nada van Dalen, photographer Ari Versluis and stylist Ellie Uyttenbroek examine what independence means in a globalised fashion system

/ Fashion, Lampoon Issue 31

Alessia Gunawan: Energia Nostalgia

We’ll take anything to free ourselves from that sense of nihilism we feel when we stand there, like fools, scrolling a phone screen

/ Design

Rust and dust, Navajo weaving — “Canyon Road” by Ralph Lauren

Diamonds at the center of every blanket, a red once made from insects, and the sustainability of tradition: For its new Canyon Road line, Ralph Lauren Home tapped two Diné designers, Naiomi and Tyler Glasses

/ Lampoon Issue 31, the art field

Beyond the ashes: Isabelle Albuquerque crafts eternal narratives of feminine agency

"I struggled with the disconnect between my internal femininity and my body. It was before the internet. It was isolating, but there was the Amazonians…" From her studio on the edge of Sierra Madre, Isabelle Albuquerque reflects on her creative path, material choices, and the politics of belonging

/ Lampoon Issue 31

Lampoon 31, Boris Ovini: Like it Ever Mattered

Photography: Boris Ovini; Fashion and Creative Direction: Niki Pauls

/ Lampoon Issue 31, The Publishing Industry

Olivier Zahm: A Manifesto for the Independent Publishing Industry

An Interview to Olivier Zahm, Editor in Chief and co-founder of Purple Magazine, taken by Carlo Mazzoni, Editor in Chief of Lampoon. Independency: being creative today is not enough

/ Humanities

Robin de Puy, beyond the Stereotype: A Dutch Photographer’s Journey Across the States

“I was frustrated with the way Americans are seen from the outside, especially from a European point of view.” Americans emerge as complex individuals with hopes, dreams, fears, and a capacity to endure

/ Humanities

Deb Koo’s still life paintings pay homage to the fleeting moments that mold our lives

Saturated tones and pastel palettes intertwine in Deb Koo’s oil paintings portraying mundane moments, personal experiences and memories from her childhood

/ Humanities

A Storm in Grandma’s Tea Set: Amit Berman on roughness and nostalgia

«Roughness has been present in my work since the beginning; as a self-taught artist, I used to paint naively, working with what I had and expressing myself in raw ways» – Amit Berman

/ Design

What’s the afterlife of The Library of Light? An interview with Es Devlin

Es Devlin in conversation with Lampoon on Salone del Mobile’s Library of Light: mapping words, movement, and memory into Brera’s historic courtyard—shaping space through story

/ Humanities

Home Fetish: a Visual Exploration of Obsession, Comfort, and Domestic Rituals

Through the lens of Lorenzo Venturini: Home Fetish unveils the ambiguous relationship between the self and domestic space, where comfort becomes obsession and everyday objects turn into fetishes

/ the art field

Not more, but deeper: Ordet’s curatorial and editorial vision

At the intersection of contemporary art and publishing, Ordet and its sister project Lenz Press champion a thoughtful, sustainable, and collaborative approach to cultural production in today’s accelerated world

/ the art field

Sofia Zevi: I don’t use Instagram, I don’t need it

As society chases constant novelty, —yet the value of honest endures. Sofia Zevi and the need to be critical, today when everything seems to have to be 'wow' on social media

/ Humanities

Twenty years of women’s art revealing the fractures of our time

From trauma to care, absence to collective memory: The Max Mara Art Prize for Women as a space of production, reflection, and resistance in European contemporary art history

/ Fashion

Jonathan Anderson’s Dior: Merging Raw Edge with Classicism

Collars embodied the split personality: one edge pressed and buttoned with couture precision, the other casually sprung upward. At Dior, Jonathan Anderson brings roughness into dialogue with polish

/ Humanities

Who is the power bottom? – phenomenology and terminology of a sexual role

When it comes to sexual roles in the LGBTQ+ community, the terminology can get slippery. Exploring the meaning of power bottom and the alleged threat to masculinity

/ Fashion

The Paul Smith Archive: Sugar Cubes and Hundreds of Rabbits

A visit to Paul Smith's studio and a train trip to Nottingham the next day: for the first time, the complete archive in its catalog is presented to the public

/ The Sound Industry

Terraforma Exo 2025 explores sound as a tool for ecological transformation

From the green heart of Parco Sempione to the layered histories of Villa Tasca, Terraforma Exo 2025 turns architecture and landscape into instruments. An interview with founder Ruggero Pietromarchi

/ Humanities

Black Cowboys, Banlieues, and Beyond: Twenty Years of Mohamed Bourouissa

From Paris suburbs to Philadelphia stables, Mohamed Bourouissa interrogates the politics of representation and community in urban peripheries across twenty years of projects

/ the art field

Rainbows in Shadows by Jenna Gribbon: seeing and being seen

Jenna Gribbon’s first solo show in Milan challenges the definition of looking, inviting the viewer to step into the artist’s place and inhabit her subjectivity

/ The Publishing Industry

En Route magazine and the story of Cesare Poma: an exhibition at the Vatican Library

A collection of early 20th-century newspapers from around the world has been rediscovered at the Vatican Apostolic Library. The House of Dior is establishing a scholarship to study it

/ Fashion

Red, love, perfection and cruelty – Valentino and Giancarlo Giammetti

The Valentino Garavani & Giancarlo Giammetti Foundation unveils Orizzonti Rosso at PM23—an homage to the signature hue that defines their story. More than glittering parties and fairy-tale princesses, their vision once put Rome’s culture on the world stage

/ Humanities

Lucille Durez: Statues, Bodies, and the Politics of Visibility – Why Monumentality Still Matters

The power of statues lies in their resemblance to us. Any human body could be cast in stone or bronze. Yet, as Judith Butler reminds us, for a body to be monumentalized it must first matter

/ literature

Michael Bible Finds Freedom in Failure: “Success Is Killing Us”

In Goodbye Hotel Michael Bible intertwines ecology and spirituality, exploring post-capitalist desolation. The novel invites us to see the world through the ancient lens of a nature destined to outlive us

/ The Publishing Industry

Marie Tomanova’s New Volume Confronts Identity, Migration, and Belonging

Marie Tomanova recovers a photographic archive from the beginning of her career, challenging the norms of photography with a single 36-exposure roll of film

/ architecture

New Voices in Venice: Azerbaijan, Latvia, Lebanon and more at Biennale 2025

First-time and emerging participants reshape discourse, with Azerbaijan’s “Equilibrium” and Latvia’s border defenses challenging the Arsenale’s traditional Western narrative

/ Humanities

Cross Cultural Chairs: The Chair as a Form of Identity and Belonging in the World

Matteo Guarnaccia’s project challenges the global standardization of chair design: postures, materials, and practices shared between artisans, designers, and local communities

/ Fashion

Stories of power and sustainability: what does Avignon’s arc mean today?

Catholic chronicles and Louis Vuitton at the Palais des Papes: life in a dislocated center as a path to sustainability—Avignon, a UNESCO site, short supply chains, local jobs

/ Fashion

Maria Grazia Chiuri in Rome at Villa Albani: after nine years of activism at Dior

Maria Grazia Chiuri ends her tenure at Dior with a show at Villa Albani and a string of Roman references: Mimi Pecci Blunt, Teatro Cometa, Pietro Ruffo’s zodiac, and the Torlonia Foundation

/ biennale, Digital World, Ethical Entrepreneurship

Consumerism and Built-in Obsolescence, in Counterpoint to Adriano Olivetti

An implied contradiction: Formafantasma’s reflection on consumerism and Technological Obsolescence takes place in Venice at the Olivetti store—a primary reference for the purpose economy

/ cinema

Andrei Ujică: An Aesthetic Eye on Revolutions

From the fall of the Soviet Union to the arrival of the Beatles, the Romanian master filmmaker Andrei Ujică’s work draws on archival footage to depict the upheavals of the Twentieth century

/ architecture

Why Rome’s Palazzine Matter to Global Architectural History

The palazzina took shape within the milieu of a prosperous upper-middle class: the architects and key figures who reshaped the Eternal City between the 1930s and the 1980s

/ Lampoon Issue 31

Amanda Ba, For Sports: Finding Culture in Athleticism

The rawness is being willing to take an L and take a risk and change something. Maybe it'll make you less popular than you were before, but you're trying something new. Interview with Amanda Ba

/ Fashion

Dior show at Villa Albani Torlonia: the garden where Neoclassicism was born

In the garden that served as a laboratory of Neoclassicism—where Winckelmann and Cardinal Albani reinvented the dialogue between ancient art and nature—the show is a tribute to the cultural ties that have linked Italy to the Maison since 1947

/ biennale

At the Biennale, it’s all sweat: a trillion trees—nothing else will save us

Introduction to Carlo Ratti’s Architecture Biennale: the lone subject is sustainability—a “mind-boggling” number of trees, humanity on its knees, sweat, heat, and a bacterial population boom

/ Lampoon Issue 31

About the Circle: Eduard Sánchez Ribot explores roundness

Roundness is the oldest gesture in design, and yet it still finds fresh ways to speak. In this series Eduard Sánchez Ribot wanders that endless curve, pairing icons of craft with the quiet insistence of the circle

/ Humanities

Mathis Chevalier – leave it to an MMA fighter to destroy toxic masculinity

As a teenager, Mathis Chevalier had trouble fitting into the school system. MMA helped him with his anger and frustration, until he decided it was time to deconstruct machismo

/ The Publishing Industry

Yvon Lambert’s Paris outpost reinvents the classic gallery

Weaving a bookshop, a publishing house, and a spirit of serendipity into an ever‑shifting cultural laboratory – Yvon Lambert is currently showcasing Distances, the new exhibition by photographer Romain Laprade

/ Lampoon Issue 31

Rebekah Campbell for Lampoon 31

New York City, USA. Photography Rebekah Campbell, Styling Cece Liu

/ Photography

I stare at a location and think about how to make it queer

«I draw some stick people in awkward positions and hope the models can interpret my bad sketches», the way to AdeY brings inner world to life

/ Fashion

Chanel and Italian manufacturers: acquisitions and a show on Lake Como

On the occasion of Chanel’s show in Como, the house’s commitment to shoring up the Italian manufacturers in its supply chain—stories and snapshots from the annals of Italian style

/ Fashion

Anna Wintour and Donald Trump: same culture, same Boomer attitude

Met Gala 2025: the same useless swagger—because only money matters; no future, no sustainability. Trump’s “Drill Baby Drill” becomes Wintour’s “Drill Baby Dance”

/ The Sound Industry

DJ Hell on Raw Analog Sound: Resisting Industry Over-Polish

I never want my music to sound too clean or safe; it needs an edge and a sense that anything can happen. My music is never about polished perfection: it’s about capturing raw energy

/ Humanities

Intertwined: Spyros Rennt baring an evolving vision of intimacy and selfhood

The archiving of softness, Spyros Rennt continues his documentary work, showing a side of queer subculture we haven’t seen from his lens before in his new self-published photobook, Intertwined

/ Lampoon Issue 31, The Sound Industry

Bobby Beethoven: Music is the One Spell Humanity Hasn’t Totally Ruined Yet

I’m not living an environmentally conscious life. I eat factory-farmed animals. I’ve flown to the other side of the planet to DJ one event, not even slept and flown directly back home. It’s disgusting. Survival is disgusting

/ the art field

Can Juergen Teller be Just Like Us?

In 7 ½ at Sabbioneta’s Palazzo Giardino, Juergen Teller and Dovile Drizyte turns historic ceilings and raw snapshots into an intimate stage for love, legacy, and domestic spectacle

/ The Publishing Industry

Joel Dicker: the Writer and the Publisher

When you take a game-changing decision, you don't understand what you’re doing. An interview with Joel Dicker, the worldwide bestselling author who decided to start his own publishing house, Rosie & Wolfe – an independent one

/ Lampoon Issue 31

The Culture of Curiosity: Global Creatives on Raw Freedom and Responsible Innovation

Seven talents from the creative scene bring their vision to a Chanel special for Lampoon 31: from meme semiotics to feminist fantasy, each voice champions tactile experience and autonomy over commercial conformity

/ The Publishing Industry

Industry, Intimacy, Illumination: Ten Years of Lampoon at Dinner with Chanel

As Chanel prepares to present its Cruise Collection on Lake Como on 29 April, a Milan dinner for Lampoon Issue 31 marks the magazine’s decade in print

/ Lampoon Issue 31, the art field

Oda Jaune Reclaiming Wings: Angels Among Ruins

Being religious was nearly a crime. At home, my parents trained me to answer school ques- tions carefully, to evade, to feign indifference. No one could know we were believers - every- one watched everyone

/ Fashion, Lampoon Issue 31

Community as brand infrastructure: Nada van Dalen and Rotterdam’s independent creative scene

Positioning is the asset – fashion designer Nada van Dalen, photographer Ari Versluis and stylist Ellie Uyttenbroek examine what independence means in a globalised fashion system

/ Fashion, Lampoon Issue 31

Alessia Gunawan: Energia Nostalgia

We’ll take anything to free ourselves from that sense of nihilism we feel when we stand there, like fools, scrolling a phone screen

/ Design

Rust and dust, Navajo weaving — “Canyon Road” by Ralph Lauren

Diamonds at the center of every blanket, a red once made from insects, and the sustainability of tradition: For its new Canyon Road line, Ralph Lauren Home tapped two Diné designers, Naiomi and Tyler Glasses

/ Lampoon Issue 31, the art field

Beyond the ashes: Isabelle Albuquerque crafts eternal narratives of feminine agency

"I struggled with the disconnect between my internal femininity and my body. It was before the internet. It was isolating, but there was the Amazonians…" From her studio on the edge of Sierra Madre, Isabelle Albuquerque reflects on her creative path, material choices, and the politics of belonging

/ Lampoon Issue 31

Lampoon 31, Boris Ovini: Like it Ever Mattered

Photography: Boris Ovini; Fashion and Creative Direction: Niki Pauls

/ Lampoon Issue 31, The Publishing Industry

Olivier Zahm: A Manifesto for the Independent Publishing Industry

An Interview to Olivier Zahm, Editor in Chief and co-founder of Purple Magazine, taken by Carlo Mazzoni, Editor in Chief of Lampoon. Independency: being creative today is not enough

/ Humanities

Robin de Puy, beyond the Stereotype: A Dutch Photographer’s Journey Across the States

“I was frustrated with the way Americans are seen from the outside, especially from a European point of view.” Americans emerge as complex individuals with hopes, dreams, fears, and a capacity to endure

/ Humanities

Deb Koo’s still life paintings pay homage to the fleeting moments that mold our lives

Saturated tones and pastel palettes intertwine in Deb Koo’s oil paintings portraying mundane moments, personal experiences and memories from her childhood

/ Humanities

A Storm in Grandma’s Tea Set: Amit Berman on roughness and nostalgia

«Roughness has been present in my work since the beginning; as a self-taught artist, I used to paint naively, working with what I had and expressing myself in raw ways» – Amit Berman

/ Design

What’s the afterlife of The Library of Light? An interview with Es Devlin

Es Devlin in conversation with Lampoon on Salone del Mobile’s Library of Light: mapping words, movement, and memory into Brera’s historic courtyard—shaping space through story

Lampoon is a cultural magazine.
Culture today means sustainability – in its honest meaning.
Culture has always been about human respect, tolerance. It’s not only about accepting human diversity but it’s about searching for the beauty of every human peculiarity.
Inclusion is the first value that defines art. Culture today means one thing only: to be part of a community, to think as a community.

Reading Lampoon, you see that these themes are smoothly aligned. A good part of the articles’ content discusses practices to restore our environment and stories about understanding the others.
Reading Lampoon, you find a dialogue between science and creativity. From sharp and edgy photo sessions to fashion, architecture, technology – the commitment is dedicated to a future that is all about us – together.

LAMPOONMAGAZINE.COM is an independent online magazine, properly listed at the Milan Court Register of Press, number 407 / 19 December 2014

The magazine is released by LAMPOON PUBLISHING HOUSE S.r.L.
Italian VAT number 08934300966 – Milan R.E.A. (Economic and Administrative Index) number 2057081 – Italian R.O.C. (Register of Operators in the Communication Field) number 26800 / 8 November 2016 – Copyright 2019 © Lampoon Publishing House. All rights reserved.