Introduction to Carlo Ratti’s Architecture Biennale: the lone subject is sustainability—a “mind-boggling” number of trees, humanity on its knees, sweat, heat, and a bacterial population boom

Introduzione alla Biennale Architettura di Carlo Ratti: l’unico argomento è quello sostenibile: un “numero da capogiro” di alberi, l’umanità che crolla, sudore, calore e la sovrappopolazione di batteri

“These trees were planted by Napoleon in the 18th century—an early lesson in large‑scale reforestation that we would do well to emulate today.” Interview with Bas Smets, co‑curator of “Building Biospheres”

«I draw some stick people in awkward positions and hope the models can interpret my bad sketches», the way to AdeY brings inner world to life

«La riforestazione deve iniziare in modo concreto e locale, albero per albero, marciapiede per marciapiede. È una delle poche soluzioni efficaci al surriscaldamento delle città». Intervista a Carlo Ratti su Biennale Architettura 2025

In 7 ½ at Sabbioneta’s Palazzo Giardino, Juergen Teller and Dovile Drizyte turns historic ceilings and raw snapshots into an intimate stage for love, legacy, and domestic spectacle

Being religious was nearly a crime. At home, my parents trained me to answer school ques- tions carefully, to evade, to feign indifference. No one could know we were believers – every- one watched everyone

“I struggled with the disconnect between my internal femininity and my body. It was before the internet. It was isolating, but there was the Amazonians…” From her studio on the edge of Sierra Madre, Isabelle Albuquerque reflects on her creative path, material choices, and the politics of belonging

Julian Charrière has conceived an ode to the Lutetian Sea, a vast body of water that covered the Champagne region 45 million years ago. At Miart, Ruinart continues its initiative, Conversations with Nature

Founded as an alternative platform to traditional contemporary art spaces, UVNT Art Fair returned to Matadero Madrid for its ninth edition. An interview with Adriàn Castañeda on his public installation