As society chases constant novelty, —yet the value of honest endures. Sofia Zevi and the need to be critical, today when everything seems to have to be ‘wow’ on social media

White walls, invisible materials, global logistics: Art Basel 2025 lays bare the environmental paradox of art fairs, where aesthetic minimalism meets concrete consumption

From scrapwood cabinets to masterworks: the story of a Dutch Designer who built a global creative ecosystem around circular design, teamwork, and manufacturing Integrity

Jenna Gribbon’s first solo show in Milan challenges the definition of looking, inviting the viewer to step into the artist’s place and inhabit her subjectivity

An implied contradiction: Formafantasma’s reflection on consumerism and Technological Obsolescence takes place in Venice at the Olivetti store—a primary reference for the purpose economy

Una mostra a contrasto, reazione: il ragionamento dei Formafantasma su consumismo e obsolescenza tecnologica prende luogo a Venezia, al negozio Olivetti, primo simbolo di imprenditoria etica

Introduction to Carlo Ratti’s Architecture Biennale: the lone subject is sustainability—a “mind-boggling” number of trees, humanity on its knees, sweat, heat, and a bacterial population boom

Introduzione alla Biennale Architettura di Carlo Ratti: l’unico argomento è quello sostenibile: un “numero da capogiro” di alberi, l’umanità che crolla, sudore, calore e la sovrappopolazione di batteri

“These trees were planted by Napoleon in the 18th century—an early lesson in large‑scale reforestation that we would do well to emulate today.” Interview with Bas Smets, co‑curator of “Building Biospheres”

«I draw some stick people in awkward positions and hope the models can interpret my bad sketches», the way to AdeY brings inner world to life