Throwing light on the subject of nature, the German artist reveals the upheaving cause of concern towards the conservation of our environs
Based in Brooklyn, New York, photographer, painter, and sculpturer Sonja Braas commences her work with an observation that lasts past a fleeting moment, allowing it to turn into an idea for a series. Looking for philosophical, scientific, or fictional text within the realm of her original thought, a defined outline begins to enthrall as she begins to sketch the images in mind only to produce a storyboard based on which the building blocks of her train of thought come to life.
The Other Day is a project by the artist. «In the Anthropocene, we are creating both spectacular catastrophes and mundane, ongoing ecological damage. The light that seems to create uninhabited film sets from mundane suburban landscapes, a detail of a table that holds a desert, the backdrop that is the birch forest’s horizon, or wires that grow off branches carrying brightly colored berries. The series consists of images I take of landscapes shaped by existing artificial light as well as of sets I build in my studio. The images are not dystopian though, but gentle.»
Having covered sequestered parts of the world, the photographer is pressed on throwing light on the subject of nature that reveals the upheaving cause of concern towards the conservation of our environs. The belief that our world is being shaped by fear and greed versus happiness has become apparent more than ever. The German artist’s most recent work, The abundance of caution (2013-2018), is shaped from the thought a low-intensity fear of impending doom colonizes our lives. Creating a very immediate emotional reaction is what Braas fancies about the mode of photography. The central part of her work is to generate suspicion in one’s own perception as they speculate her works of art.
«The images (artificially lit by existing light sources) were taken on location in Virginia, USA (#1, 2, and 9) and in Massachusetts, USA (#6). MI and MII are images of sets I built (physically not digitally) in my studio in Brooklyn, New York». Size 75cm x 100cm and 105cm x 141cm, edition 1/5 + 2AP (per each size), Pigment Print, framed.