In Salinas Grandes, El Santuario del Agua by Tomás Saraceno  reimagines land art as a community-owned project rooted in water, salt, and Indigenous knowledge

With Blue Blooded at Museo Nivola, Hannah Levy turns the horseshoe crab — harvested for modern medicine since before memory — into the most coherent subject she has ever chosen

The former airport park is protected by a 2014 referendum and the ThF law, yet new building pressures reopen the debate amid housing shortages, climate concerns, and urban forestry

A work interrupted by catastrophe returns to the stage: Shamel Pitts brings Touch of red back to Jacob’s Pillow as the Doris Duke Theatre reopens after years of absence and...

From contemporary art and social media to bunker bars and stucco columns, Balkan aesthetics offer an antidote to globalized smoothness: Alterazioni Video’s Olbania and Šejla Kamerić’s Bosnian Girl