/ Review
Roundness is the oldest gesture in design, and yet it still finds fresh ways to speak. In this series Eduard Sánchez Ribot wanders that endless curve, pairing icons of craft with the quiet insistence of the circle
Weaving a bookshop, a publishing house, and a spirit of serendipity into an ever‑shifting cultural laboratory – Yvon Lambert is currently showcasing Distances, the new exhibition by photographer Romain Laprade
On the occasion of Chanel’s show in Como, the house’s commitment to shoring up the Italian manufacturers in its supply chain—stories and snapshots from the annals of Italian style
Met Gala 2025: the same useless swagger—because only money matters; no future, no sustainability. Trump’s “Drill Baby Drill” becomes Wintour’s “Drill Baby Dance”
The archiving of softness, Spyros Rennt continues his documentary work, showing a side of queer subculture we haven’t seen from his lens before in his new self-published photobook, Intertwined
In 7 ½ at Sabbioneta’s Palazzo Giardino, Juergen Teller and Dovile Drizyte turns historic ceilings and raw snapshots into an intimate stage for love, legacy, and domestic spectacle
As Chanel prepares to present its Cruise Collection on Lake Como on 29 April, a Milan dinner for Lampoon Issue 31 marks the magazine’s decade in print
Positioning is the asset – fashion designer Nada van Dalen, photographer Ari Versluis and stylist Ellie Uyttenbroek examine what independence means in a globalised fashion system
Diamonds at the center of every blanket, a red once made from insects, and the sustainability of tradition: For its new Canyon Road line, Ralph Lauren Home tapped two Diné designers, Naiomi and Tyler Glasses
“I was frustrated with the way Americans are seen from the outside, especially from a European point of view.” Americans emerge as complex individuals with hopes, dreams, fears, and a capacity to endure