«The cobalt blue has been my color. I’m not sure when it happened. It seems to catch my attention whenever it’s within sight. It’s the starting point where textures merge»
photography Lars Brønsethphotography Lars Brønsethphotography Lars Brønsethphotography Lars Brønsethphotography Lars Brønseth
It is not fashion. It is work. The “well made,” the cloth that stays in the wardrobe: the Zegna method and what Northern Italian enterprise still teaches
We need to insist on what Milan looks like. The city’s palette is gray, never flat, altered by rain. Armani, today under the direction of Leo Dell’Orco, remains the clearest...
In fashion, obsession means Prada. How does Miuccia Prada, also in dialogue with Raf Simons’ cool detachment, continue to rediscover—and redefine—the identity of Milan?