

Lampoon/ Transition – Rèverbères: street lamps in Paris by Romain Laprade
«Even if nobody cares about street lamps, if we isolate them, when we can see that there are real pieces of design»
It took me three years to photograph what I was looking for. Taxonomies, the entire portfolio consists of more than 120 pictures, while the book I published in 2006 with a+mbookstore contains a sequence of nineteen pictures and an unbound fold-out with all the texts. The project revolves around Swedish naturalist Carl Linnaeus, whom I imagined as a scholar of the visible. I studied his works and his utopian enterprise of Swedish autonomy by cultivating economically strategic plants such as spices and coconut – the project failed due to the Scandinavian climate. Still, it generated insightful studies on the planet’s flora. I saw the greenhouses I encountered as utopic in his effort to acclimatize non-local plants.
I have visited numerous collections and institutions such as natural history museums, botanical gardens, entomological collections. Carl Linnaeus is one of the aspects of the project, while photography as a tool for understanding the visible is Ariadne’s thread that connects every step of the process. I chose my destinations according to what I already knew, but in many cases, I decided to go to places I had never visited before. Some stages of my journey: Shanghai and Beijing, Tel Aviv, Linnean Society and Kew Gardens in London, the Natural History Museum of Trieste, Venice and Milan, the Botanical Garden of Berlin, the Botanical Garden of Uppsala. After several exhibitions, for a long time considered Taxonomies a completed project, I am now thinking of recovering some aspects of it through new works that are direct echoes of it.
It took me three years to photograph what I was looking for. Taxonomies, the entire portfolio consists of more than 120 pictures, while the book I published in 2006 with a+mbookstore contains a sequence of nineteen pictures and an unbound fold-out with all the texts. The project revolves around Swedish naturalist Carl Linnaeus, whom I imagined as a scholar of the visible. I studied his works and his utopian enterprise of Swedish autonomy by cultivating economically strategic plants such as spices and coconut – the project failed due to the Scandinavian climate. Still, it generated insightful studies on the planet’s flora. I saw the greenhouses I encountered as utopic in his effort to acclimatize non-local plants.
I have visited numerous collections and institutions such as natural history museums, botanical gardens, entomological collections. Carl Linnaeus is one of the aspects of the project, while photography as a tool for understanding the visible is Ariadne’s thread that connects every step of the process. I chose my destinations according to what I already knew, but in many cases, I decided to go to places I had never visited before. Some stages of my journey: Shanghai and Beijing, Tel Aviv, Linnean Society and Kew Gardens in London, the Natural History Museum of Trieste, Venice and Milan, the Botanical Garden of Berlin, the Botanical Garden of Uppsala. After several exhibitions, for a long time considered Taxonomies a completed project, I am now thinking of recovering some aspects of it through new works that are direct echoes of it.
«Even if nobody cares about street lamps, if we isolate them, when we can see that there are real pieces of design»
Berlin-based singer-songwriter, Alice Merton opens up about her musical influences, life after releasing her debut single
The perspective of Sigmund Freud’s Psychoanalysis: oral storytelling becomes fabrics and choreography, Maria Grazia Chiuri is narrating her last collections
WE DON’T KNOW WHAT WE’RE BECOMING YET
BUT WE KNOW WHAT WE’RE LOOKING FOR
458 PAGES
RECYCLED PAPER, NO COATED
COVER IMAGE MARIE TOMANOVA
IN CONVERSATION WITH
HERON PRESTON
GIORGIO ARMANIHAKAN KARAOSMAN
DAN COLEN
REINER HOLZEMER
CYRILL GUTSCH
IAN MASSEY
LAMPOON PUBLISHING HOUSE SRL | R.E.A. DI MILANO N. 2057081
I.V. TRATTAMENTO DEI DATI © LAMPOON 2019
WE DON’T KNOW WHAT WE’RE BECOMING YET
BUT WE KNOW WHAT WE’RE LOOKING FOR
IN CONVERSATION WITH
HERON PRESTON
GIORGIO ARMANI
HAKAN KARAOSMAN
DAN COLEN
REINER HOLZEMER
CYRILL GUTSCH
IAN MASSEY
LAMPOON PUBLISHING HOUSE SRL | R.E.A. DI MILANO N. 2057081
I.V. TRATTAMENTO DEI DATI © LAMPOON 2019