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Humanities
We are afraid of losing images: photography in the digital age with Xiaopeng Yuan
From failed iPhone backups to printed photobooks, Xiaopeng Yuan explores the instability of digital memory and questions what remains when images become data stored inside endless archives
Batsheva Dance Company – Ohad Naharin pushes Gaga beyond technique. Ph. Guy Hamiel
Music and Performance
A body that refuses style: Ohad Naharin and the Engine of Gaga
Inside Batsheva Dance Company, Ohad Naharin pushes Gaga beyond technique – 30% power, radical control, repetition and chaos forging a body that refuses style
Discarded Teak
Naturally Sourced
Wood in a circular economy: reclaimed teak to give discarded wood a second life
From Mumbai to Umbria, Baro Design and Laquercia21 turn reclaimed wood into contemporary furniture—proof that sustainability can be built from scraps, not mass production
Image: Galib Gassanoff
Lifestyle
Galib Gassanoff: structure is not a style, it is a position
A conversation on discipline, cultural memory, and why a designer who knows how to cut a dress has less and less space in an industry that moves too fast to...
Angelo Formato for Lampoon MECCANO, interpreting Lozza eyewear
Crafting
Another Italian manufacturer credited as global taste maker: the history of Lozza eyewear
From a mill in Cadore to a global style code: Lozza is an eyewear brand that helped invent the Italian attitude —crafted in-house by historical manufacturer De Rigo
Aliocha Boi, Midnight Sun. COLLAPSE BOOKS, 2025
Reportage
Midnight sun: inside the arctic bubble where light dissolves time
Aliocha Boi leads us into an Arctic where night never returns and glaciers vanish quietly. How do we navigate a world that dissolves our senses and confronts us with its...
Fashion
Cruise collections: political ideology and the American visibility machine
As Cruise collections migrate toward American cities, the original logic of seasonal escape gives way to something harder to name
Fashion
Celine after Hedi Slimane: can it be even sexier? 
It looks like Michael Rider at Celine works well: in a fragmenting fashion industry, he does not need any claims: not being one thing, being allowed to be anything—it’s an...