Man Ray’s photograms of the Twenties were a technical study in the materiality of photo paper. I built a basic darkroom in my bathroom with cheap construction material. Along with fashion items, I incorporated found objects from my home, limiting myself to my confinement. The whole process felt very scientific like I was a chemist. This impacted my sense of composition which became more calculated and rigid. I studied how we experience incandescent light through its interaction with objects. A photogram is a recording of the physical nature of light. Although we can’t touch it, it has a direct, chemical response on photo paper.
Photographer: Alex Black
Stylist: Sharifa Morris
Man Ray’s photograms of the Twenties were a technical study in the materiality of photo paper. I built a basic darkroom in my bathroom with cheap construction material. Along with fashion items, I incorporated found objects from my home, limiting myself to my confinement. The whole process felt very scientific like I was a chemist. This impacted my sense of composition which became more calculated and rigid. I studied how we experience incandescent light through its interaction with objects. A photogram is a recording of the physical nature of light. Although we can’t touch it, it has a direct, chemical response on photo paper.
Photographer: Alex Black
Stylist: Sharifa Morris
«You just should care who’s made something and where it’s come from». Rug designer Sussy Cazalet on the importance of knowing the origin of your pieces
Le plein et le vide: interior and exterior perceptions that change in time, leaving the body behind where once was a familiar place – You stay still for a second while I pin a flower
Citing as inspiration her familial Scottish seascape and Olafur Eliasson, Cavan McPherson talks about her journey to developing plant-based dyes with health-beneficial pigments
LIMITED BOOK EDITION PRADA RE-NYLON COVER
DIGNITY AND HUMANITY
CIRCULAR ECONOMIES AND GLOBAL FORESTRY
SUSTAINABLE MATTERS IN THE ANTHROPOCENE
DIGNITY AND HUMANITY
CIRCULAR ECONOMIES
AND GLOBAL FORESTRY
SUSTAINABLE MATTERS
IN THE ANHROPOCENE
the grafted
edited by stefano boeri
in conversation with
elizabeth diller
HANS ULRICH OBRIST
Mitchell silver
PIERRE ALExIS DUMAS
DIGNITY AND HUMANITY
CIRCULAR ECONOMIES AND GLOBAL FORESTRY
SUSTAINABLE MATTERS IN THE ANTHROPOCENE
the grafted
edited by stefano boeri
in conversation with
elizabeth diller
HANS ULRICH OBRIST
Mitchell silver
PIERRE ALExIS DUMAS
LAMPOON PUBLISHING HOUSE SRL | R.E.A. DI MILANO N. 2057081
I.V. TRATTAMENTO DEI DATI © LAMPOON 2019