Marco Frattaruolo
Monica Ursina Jäger, quando la natura riscrive l’architettura moderna
Dai ghiacciai svizzeri ai fiordi norvegesi, l’artista lavora con sedimenti, disegno e video sui residui della modernità: a Noto presenta Liquid Time per il festival 8 Albe
The Bauhaus produced its own image with the same method it used for chairs
Photography arrives late at the Bauhaus and becomes the language through which the school builds and circulates its own image — the book New Woman, New Vision
Dentro i movimenti europei per il clima: cosa c’è di falso?
Con Silent Springs i fotografi Michele Borzoni e Rocco Rorandelli mettono in discussione la narrazione dominante dei media sull'attivismo climatico
We are afraid of losing images: photography in the digital age with Xiaopeng Yuan
From failed iPhone backups to printed photobooks, Xiaopeng Yuan explores the instability of digital memory and questions what remains when images become data stored inside endless archives
Roe Ethridge and the failure of good taste: images that refuse to behave
“The exhaustion of my eyes by Instagram.” Presenting Rude in the Good Way, Roe Ethridge traces two decades of work, from suburban images to hybrid compositions: fashion and visual culture
Arrested for a photoshoot – Russia’s cage system
The State does not stop at punishment – it enters the body, lets it bleed, suffocate and deteriorate without care or urgency. Detention, feminist art and the cage of Putin’s Russia
We’re all eating from the same trash can: Jordan Sullivan and the Sick America
“Capitalism cultivates addiction and delirium – our souls were sold long ago.” A conversation with the painter Jordan Sullivan on marginal life and contemporary American experience
