Susanna Galstyan
Design is not decoration: Lella and Massimo Vignelli at Triennale Milano
Studio Mut's Thomas Kronbichler on curating the Vignelli retrospective at Triennale Milano — the freedom of not being a devotee, the "madness" phase, and why blank pages beat mood boards
Hermès: how the quietest house became the loudest name in luxury
Hermès and the re-definition of quiet luxury – the show proves why restraint remains the most powerful force in fashion
Female self-censorship: notes on female rage
The female body is freer than ever before, yet it’s never been as monitored as now. The runway offers options, the network decides what counts
About Antonin Tron at Balmain: can craft survive the celebrity crush?
Who is Antonin Tron at Balmain? From couture roots to social media empire, Balmain’s history, financial data and Rousteing’s legacy set the stage for a material-first vision
Fashion needs authorship above all! Gucci and those sexy brands that are movie producers
As fashion brands invest in cinema, the question is no longer communication vs. marketing, but where authorship is produced and allowed to outlast the runway cycle
It’s just a t-shirt: from Westwood to rebellion, politics, sex, irony
The T-shirt has never been innocent. Westwood made it a weapon, later designers polished it into branding, and today it balances history, humor and activism
Is Valentino Couture about desire – or about voyeurism and denial?
One hole in the wall, many readings: Alessandro Michele’s Valentino couture show becomes a device of voyeurism, a controlled fashion spectacle where desire is visible, regulated, and denied
No return to nature, data is not the enemy: James Deutsher on DEEP
The raw logic behind biodiversity, technology and extraction: James Deutsher’s DEEP proposes a new ecological intelligence – humans are no longer the main character
How Richert Beil shapes garments from grit
From latex tailoring to deadstock suiting, Richert Beil’s work sits in the friction between instinct and resistance—imperfection, limitation and delay are part of the process
Satinine’s rebirth: a Milanese fragrance legend returns to claim its future
A conversation with Andrea Galletti on reviving Satinine: from chromatographic decoding of 1930s formulas to rebuilding Art déco design codes and a fully Italian supply chain for true in-house perfumery
Juergen Teller shapes Onassis Ready into a living exhibition: You are invited
Juergen Teller arrives in Athens not in a white cube: You are invited explores intimacy, archival work and new series within the unpolished framework of Onassis Ready, a former factory...
Cashmere and beyond: the infrastructures that hold Loro Piana together
Across continents and climates, from Mongolia’s steppe to Italy’s factories, the infrastructures behind Loro Piana’s materials reveal a complex web of relationships between herders, scientists, and artisans
Are the new creative directors interested in sustainability?
A retrospective on whether and how the new creative directors are addressing sustainability – from small independent brands to major fashion houses, from Duran Lantink to Balenciaga
Lake Como Design Festival: waste, work, and the life of materials
The seventh edition of Lake Como Design Festival examined waste, material honesty, and circular practices, showcasing how designers rethink resources today
Gucci’s path toward sustainable circularity
Reforestation through One Tree Planted and resale on The RealReal, Gucci's ongoing commitment to social and environmental responsibility
