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Louis Vuitton SS27:Ghesquière takes the weight out of a dress
Nicolas Ghesquière removes weight layer by layer: chiffon controls opacity, mesh releases air and tailoring loses its internal structure
Chanel, SS27, the aquamarine suit: tweed légèreté
Matthieu Blazy’s anti-Ozempic tweed. A response to the recent status quo. It frees; it does not constrain. It is the result of a year and a half of testing. “A...
Miu Miu SS27 look 47 turns the satin dress against beauty
At the Spring/Summer 2027 show, creased satin and an altered neckline turn a recognisable archetype into a study of imperfection, part of Miuccia Prada’s attack on conventional beauty
Hermès SS27: full-weight saddlery belts hold paper-thin leather
Nadège Vanhée uses the leather strap as structure: full-weight belts compress paper-thin leather, silk pongee and mesh at the waist
Loewe Spring/Summer 2027: McCollough and Hernandez stage the collection as theater
llough and Hernandez's third show, at the Château de Vincennes for the Loewe spring/summer 2027 collection: balloon skirts like stacked paper, plasticised collars, leather with the seams erased
Rick Owens Spring Summer 2027: the womenswear collection turns stone into light
Stone, the Rick Owens Spring/Summer 2027 womenswear collection, reads the stone as stoicism. The millefoglie jackets take 45 hours each
Balenciaga Summer 2027: Pierpaolo Piccioli rebuilds the basque through the seam
For Balenciaga Summer 2027, Pierpaolo Piccioli takes basque shapes from the house archive and transfers them onto T-shirts and leather jackets, using exposed seams to build volume from everyday garments
Saint Laurent SS27: gold leaf on latex, forty-nine gilded looks
Anthony Vaccarello has spent September inside a succession rumour. His answer at the Trocadéro: fifty-nine looks, forty-nine of them gilded, gold leaf laid on latex, and a black velvet finale