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News is approached through an independent editorial perspective, connecting current events to their wider cultural, environmental and economic implications. From changes in manufacturing and creative industries to new materials, technological innovation and public debate, Lampoon provides timely reporting grounded in factual accuracy, critical analysis and journalistic research.

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ll from Kiss. Directed by Orin Kadoori, cinematography Guy Hamiel. Courtesy of the artists.
What remains of a kiss when the other body is absent?
Directed by Guy Hamiel and Orin Kadoori for Lampoon SALIVA, Kiss explores intimacy in the absence of physical contact, drawing on Saliva as Bodily Intelligence to examine longing, memory and the...
From cotton cord to gold, DoDo redraws the hierarchy of materials
DoDo enters a new chapter with its 2026 campaign, photographed by Bryan Liston and starring Yasmin Wijnaldum, while continuing its exploration of material contrast, modularity and personalisation
Flos Relay floor lamp designed by Michael Anastassiades, featuring a slim vertical LED light and minimalist white base in an elegant wood-paneled interior with blue mosaic flooring
Michael Anastassiades and Flos: the designer’s own lamps enter the Flos catalogue
Tip of the Tongue, Relay and Frame 3X3 are the first three models Flos produces under the agreement announced on 7 October 2026, in mouth-blown opal glass, borosilicate and chrome-plated...
Louis Vuitton SS27 white sheer layered garment with button fastening, draped construction and ruffled cuffs
Louis Vuitton SS27:Ghesquière takes the weight out of a dress
Nicolas Ghesquière removes weight layer by layer: chiffon controls opacity, mesh releases air and tailoring loses its internal structure
Tweed Tailoring with Burgundy Croc Belt
Chanel, SS27, the aquamarine suit: tweed légèreté
Matthieu Blazy’s anti-Ozempic tweed. A response to the recent status quo. It frees; it does not constrain. It is the result of a year and a half of testing. “A...
Miu Miu SS27 pink satin halter dress with a cutout bodice, photographed from a low angle against wood-paneled walls.
Miu Miu SS27 look 47 turns the satin dress against beauty
At the Spring/Summer 2027 show, creased satin and an altered neckline turn a recognisable archetype into a study of imperfection, part of Miuccia Prada’s attack on conventional beauty
Hermès SS27 leather neck strap with silver buckle and matching earring on a tan leather look.
Hermès SS27: full-weight saddlery belts hold paper-thin leather
Nadège Vanhée uses the leather strap as structure: full-weight belts compress paper-thin leather, silk pongee and mesh at the waist
Loewe SS27
Loewe Spring/Summer 2027: McCollough and Hernandez stage the collection as theater
llough and Hernandez's third show, at the Château de Vincennes for the Loewe spring/summer 2027 collection: balloon skirts like stacked paper, plasticised collars, leather with the seams erased
Stone, the Rick Owens Spring/Summer 2027 womenswear collection
Rick Owens Spring Summer 2027: the womenswear collection turns stone into light
Stone, the Rick Owens Spring/Summer 2027 womenswear collection, reads the stone as stoicism. The millefoglie jackets take 45 hours each
Cream knit cardigan paired with a voluminous ivory skirt constructed from thick looped yarn.
Balenciaga Summer 2027: Pierpaolo Piccioli rebuilds the basque through the seam
For Balenciaga Summer 2027, Pierpaolo Piccioli takes basque shapes from the house archive and transfers them onto T-shirts and leather jackets, using exposed seams to build volume from everyday garments
Saint Laurent SS27: gold leaf on latex, forty-nine gilded looks
Anthony Vaccarello has spent September inside a succession rumour. His answer at the Trocadéro: fifty-nine looks, forty-nine of them gilded, gold leaf laid on latex, and a black velvet finale
Dior SS27: from wénwán walnuts to the work on material
Jonathan Anderson starts from two walnuts to work on asymmetry: double-breasted blazers in chiffon, irregular pleating, petals cut by hand one at a time, and the 1952 La Cigale dress...
Open Studio Homme Plissé Issey Miyake: Henri Matisse, The Snail and the pleats 
Matisse cut and pinned paper coated in gouache; Homme Plissé Issey Miyake sets pleats in with heat and pressure. At Tate Modern, Open Studio puts the two methods side by...