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Lampoon L33 Meccano Banner MOBILE
Lampoon Issue 33
The system we live in was never built for the four cycles women go through
Arale Reartes for Lampoon MECCANO – four hormonal phases as mechanical states, between self-portrait and still life, against a model of linear productivity
Lampoon Issue 33
Smartphone interaction and the erosion of boredom: we look for the pause
We were promised tools to free our time. Instead, today  we surrender the only hours that are truly ours — the empty ones. Leonie Volk for Lampoon MECCANO
The Art Field
What you want from your body? Antony Gormley, iron and crawling
An interview with Antony Gormley. In What Holds Us, he stages a physical encounter with sculpture: “to become whole we have to be held. A tree has to be held in the ground in order for it to grow”  An interview with Antony Gormley on What Holds Us, on view at Galleria Continua, San Gimignano […]
Magazine
Design
Erwan Bouroullec on Maap for Flos: I prefer instinct over dogma
A rural childhood, the roughness of making, and the logic hidden in disorder: Erwan Bouroullec on the genesis of Maap for Flos — why chaos is the most honest design tool
Lampoon Issue 33
Design
Pietro Porcinai, 1,300 landscape projects: a reportage from Oasi Zegna
In Oasi Zegna, between the 1950s and 1970s, architect and agronomist Pietro Porcinai developed a territorial system for the Zegna family, integrating gardens, industry, forests, and monuments
Lampoon Issue 33
Reportage
Uzbekistan: some Soviet Modernism is leading creativity worldwide
From Timurid empires to Cold War metros, from mud-brick labyrinths to solar furnaces: how Uzbekistan is turning heritage, brutalism and contemporary art into a new geopolitical and aesthetic statement
Call To Action
At Prada Frames, Alfredo Jaar spoke about images without showing a single one
Alfredo Jaar returned to the argument at the center of his work: images do not represent reality, they construct it. From Real Pictures to Searching for Africa in Life, why visual culture is always a political act
Crafting
Diego Villareal: metal does not forgive, it records a decision
Diego Villarreal, founder of Vagujhelyi, speaks about his design practice: he produces metal objects that function as both usable items and sculptural forms
Design
Order as instinct: Milan Design Week 2026 and the focus to raw materials
Captured on analog film, a material reading of Milan Design Week 2026: wood, glass and metal as structural languages, carrying form, memory and spatial intent
Lampoon Issue 33
Cinema
Amalia Ulman: humor as revenge, cinema as class warfare
From Web 1.0 irony to noir-inflected filmmaking, Amalia Ulman rejects poverty porn, questions AI hysteria, and defends humor as a survival tool 
Lampoon Issue 33
The Art Field
Looking closely: Chiara Yiontis draws circles without a plan
Each work is built through repetition: circles drawn one by one without sketch, where proximity creates structure and a single encounter can redirect a life.  Chiara Yiontis for Lampoon MECCANO
Lampoon L33 Meccano Banner MOBILe v6-1
Lampoon Issue 33
Fashion
Loro Piana Extra Bag by Adrien Dubost: scale without redesign
Shot for Lampoon Meccano, Adrien Dubost places the Extra Bag in an industrial set, isolating its form among steel structures and reflective surfaces to test proportion, material, and construction
The Art Field
Martin Margiela at the Kudan House: between the historic cedar and the void
Martin Margiela marks his first large-scale solo exhibition in Japan by treating a 1927 heritage residence as a site of memory and disappearance – a graft of Spanish Colonial Revival and traditional Japanese timber
Lampoon Issue 33
The Art Field
Goshka Macuga: when systems work too well power takes over
“Growing up with nothing trained me to build everything” – Goshka Macuga on memory, archives, AI, and why systems become dangerous when efficiency starts to override human truth 
Lampoon Issue 33
Design
The loudspeaker as machine: Erwann Petersen and the mechanics of sound
From early electromagnetic experiments to Transparent’s exposed systems, the loudspeaker shifts from hidden function to visible structure, staged as object and evidence
Lampoon Issue 33
High Jewelry
Nick Knight working on the latest Tiffany & Co. collections for Lampoon Meccano
SHOWstudio, London - Nick Knight interprets Tiffany collections portraying Hunter Piferc and conceptually connecting body, structure, and surface – this Lampoon’s MECCANO issue
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Italia
Tracciabilità
La risicoltura biologica in Pianura Padana – che sia possibile? Risponde Rete Semi Rurali
Le sfide del settore risicolo italiano tra agronomia, mercati e normative. Secondo Giuseppe De Santis e Daniela Ponzini la risposta è nella risicoltura biologica e nella diversificazione delle colture
Arte
Con te tutto: Chiara Camoni ha trasformato il Padiglione Italia in un atto collettivo
Una visita allo studio di Chiara Camoni a Solaio, Pietrasanta, è il punto di partenza per leggere Con te tutto al Padiglione Italia della 61. Esposizione Internazionale d’Arte – La Biennale di Venezia
Tracciabilità
Parco Agricolo Sud Milano: come funziona il sistema agricolo della metropoli
Il Lambro e centinaia di canali artificiali: chi li gestisce e come sono impiegati in agricoltura. Lo spiegano Giovanni Nidasio e Marco Pezzetta, presidente e direttore scientifico del Consorzio del Fiume Olona
Design e Architettura
Dalla Brianza al Veneto: perché la provincia è al centro del discorso visivo italiano
Tra pellicola, affissioni urbane, residenze e archivi pubblici, il paesaggio non metropolitano esce dalla posizione laterale e diventa materia di ricerca, racconto e studio. Il progetto Manifesto Brianzolo
Tracciabilità
Agroforestazione a Milano: nel Parco Sud suoli al 4,2% di sostanza organica
Nel Parco della Vettabbia, Soulfood Forestfarms sviluppa un’agroforesta con alberi, colture e pascolo: suoli al 4,2%, biomassa e pratiche rigenerative per aumentare fertilità e produzione locale
Tracciabilità
Mattia Berveglieri e le etichette dei vestiti: cosa raccontano davvero i capi?
Dal cotone al poliestere fino alla canapa, ogni materiale racconta solo una parte del processo: Mattia Berveglieri analizza le etichette di lusso e fast fashion per indagare la filiera 
Design e Architettura
Dalla Milano Design Week 2026: i progetti in cui la materia torna al centro
Legno di recupero, pietre toscane, fibre ancestrali, fiori generati dall’AI: alla MDW 2026, una selezione di progetti in cui la materia non è sfondo ma protagonista del design contemporaneo
Impegno civile
131 anni per la parità: Cartier Women’s Initiative continua a colmare il gap
Candidature aperte fino al 16 giugno 2026: grant non diluitivi fino a 100.000 dollari, fellowship annuale e accesso a una community globale per imprenditrici a impatto sociale o ambientale Ci vogliono 131 anni per colmare il divario globale di genere. 169 per raggiungere la parità economica. Sono i dati del Global Gender Gap Report, che […]
Cinema
Che cosa siamo diventati? Euphoria 3 – sesso, droga e fede
Nulla di nuovo, Euphoria sta lì, tra un pompino e una preghiera - nella confessione dopo aver sparato un colpo di pistola, nella fede ora alla droga ora al maschio che mi tormenta
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READER
The Publishing Industry
Uroš Kramberger: at Grünwaschen, sustainability is not a marketing slogan
Greenwashing has become a buzzword – founded by Uroš Kramberger, Grünwaschen in Berlin supports independent designers with ethical fashion and fair labor standards 
The Art Field
CAN Art Fair Madrid at ten: from urban art to a broader contemporary field
At Matadero, over 50 galleries and new sections such as CAN Design marked a shift from street-rooted practices toward a cross-disciplinary programme spanning art, design, and architecture
Hotels
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Perfume List
Solsequium, the sun’s own flower: Ffern Summer 25
A fragrance house rewriting the codes of perfumery, where scarcity is the new abundance and a summer sunset an eternal dream
When the Gong Rings: Floraïku Turns Afternoon Tea into Perfume
Floraïku’s latest eau de parfum traces the arc of a gong strike, echoing the mindful swell and release of afternoon tea rituals—each moment sweetened by the allure of traditional dorayaki
How Maison Margiela’s Replica Line Bottled Winter’s Essence
From Chamonix’s Snow-Covered Chalets to the Lab: By the Fireplace, part of the Replica collection, draws on the nostalgia of 1970s Chamonix, blending raw materials and alpine culture into a fragrance
Diptyque Re-lights the Neon of the Orphéon
More than half a century later, Diptyque has returned to that ember-lit cradle of its creativity, transforming memories of sax riffs and swirling cigarette ribbons into a limited-edition collection that puts the club’s name, Orphéon, in lights once again
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Hemp
Textile Fibers
Manila Hemp is better known as Abaca Fiber: what is it?
The Sustainable Alternative to Glass Fiber: Manila Hemp (aka Abaca Fiber) - tensile strength, seawater resistance it’s willing to surpass hundreds of millions by 2030
Naturally Sourced
Hemp for the future: here’s why one plant can change everything
From ancient civilizations to climate-resilient futures, hemp is the sustainable, regenerative crop that touches every aspect of our lives – from agriculture to architecture, wellness to wearable tech
Lampoon Issue 33
Crafting
Can hemp become a fragrance, or is it still just raw material?
Canapa N318 by LabSolue uses Cannabis sativa L. as an olfactory raw material, isolating terpenes through low-yield distillation and integrating them into a controlled formulation system
Crafting
Why Hemp matters in contemporary art: Nancy Jiseon Kwon and Sambe
Nancy JiseonKwon has incorporated ramie, called mosi (모시), and hemp, called sambe (삼베), into her fabric scrolls and ceramic sculptures, often using threads to create her own textiles
Naturally Sourced
Hempcrete: the building material that sequesters CO₂
How hemp could become a game changer in the construction industry: a smaller footprint than traditional concrete and the ability to sequester CO₂ for up to one hundred years
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