
MAGAZINE
This section brings together interviews, reviews, and photography from the print edition, offering a direct view of contemporary culture and creative practices. Each piece reflects the magazine’s approach: sharp, critical, and without unnecessary embellishment. Readers explore conversations with artists, designers, and thinkers, visual narratives through editorial photography, and reviews that examine books, exhibitions, and projects. Magazine documents the work behind ideas and productions, connecting content from paper to digital. It’s not a showcase – it’s a place to observe, question, and understand how culture is produced and experienced, through the lens of Lampoon’s editorial vision.
Closeness is a fiction: Marie Tomanova shoots herself daily for a year
Three Empty Weeks in July – at Harkawik, New York, through July 11, 2026: a durational body of work shot on a Fujifilm Instax Square SQ6 implicates the viewer in a constructed fiction of closeness
Humble luxury or quiet luxury? The loudest thing you can do is nothing
Quiet luxury performs restraint. Humble luxury performs virtue – whispering "I don't care" loudly: status is now defined by the coherence of one's position – not its visibility – which brands will endure?
What “bionic” really means in prosthetics, according to Ottobock’s Corrado Polzoni
Corrado Polzoni, head of prosthetics at Ottobock, redefines bionic not as added power but as reduced cognitive load — the point where a prosthesis stops demanding attention and becomes part of the body
We are afraid of losing images: photography in the digital age with Xiaopeng Yuan
From failed iPhone backups to printed photobooks, Xiaopeng Yuan explores the instability of digital memory and questions what remains when images become data stored inside endless archives
A body that refuses style: Ohad Naharin and the Engine of Gaga
Inside Batsheva Dance Company, Ohad Naharin pushes Gaga beyond technique – 30% power, radical control, repetition and chaos forging a body that refuses style
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Fashion underdogs: the time has come for a revolution
A violent aesthetic built on cuts and lacerations that critics would lazily reduce to the label "Hiroshima chic" – but Kawakubo was excavating something far deeper – the realm of the unconscious
Metamorphosis as fracture: Alexandra Alvarez Garcia for Lampoon MECCANO
From Kafka to the mechanical body, identity dissolves into systems of labor, alienation, and constructed selfhood – where the body becomes a site of tension between control and collapse
Smartphone interaction and the erosion of boredom: we look for the pause
We were promised tools to free our time. Instead, today we surrender the only hours that are truly ours — the empty ones. Leonie Volk for Lampoon MECCANO
What you want from your body? Antony Gormley, iron and crawling
An interview with Antony Gormley. In What Holds Us, he stages a physical encounter with sculpture:“to become whole we have to be held. A tree has to be held in the ground in order for it to grow”
Order as instinct: Milan Design Week 2026 and the focus to raw materials
Captured on analog film, a material reading of Milan Design Week 2026: wood, glass and metal as structural languages, carrying form, memory and spatial intent
Amalia Ulman: humor as revenge, cinema as class warfare
From Web 1.0 irony to noir-inflected filmmaking, Amalia Ulman rejects poverty porn, questions AI hysteria, and defends humor as a survival tool

































