The Daily Dispatch includes reviews and critical readings of books, exhibitions, photography projects, architecture, independent publications and cultural initiatives.
Each contribution connects individual work to a wider system of production, politics, technology and material culture.
Updated with new content every day, The Daily Dispatch extends Lampoon’s editorial research beyond the rhythm of the print edition.
It is a continuous journal of contemporary culture – grounded in evidence, direct observation and an interest in how things are made.
THE DAILY DISPATCH

Vital Mud: the Hypothesis that life began in clay
Hiske Altena turns doubt into a method and curiosity into a form of knowledge. A l scientific theory about how everything around us is interconnected.

Feminist pornography: subverting the dominant gaze
Maja Malou Lyse bought the Marilyn Monroe nude that hung in the Playboy Mansion: the Danish artist on who owns an image of a body, from Annie Sprinkle to the feminist pornography debate

Oysters: what the Mediterranean Sea produces
Paolo Varrella farms oysters in the Gulf of Poets whose phytoplankton exists nowhere else in Italy; while Red Oyster and Julia Qiu rebuild a culture Rome had before France did

Art Basel Paris 2026: a fifth edition read through its materials
From tar to recycled X-ray silver: how 211 Art Basel Paris exhibitors work their materials, October 23 to 25
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We are all pornstars now: what my AI deepfakes taught me about the future of desire
A digital anthropologist let an AI clone her, then watched her avatar seduce strangers — on avatar envy, looksmaxxing, and the animal fashion keeps putting back on the runway

Jean Schlumberger at Tiffany & Co.: I Am Only a Pencil, in Paris
The Exhibition I Am Only a Pencil in Paris: Jean Schlumberger’s creative process at Tiffany & Co., from sketch to workshop

Radical tailoring: What does it mean today?
Radical tailoring: when tailoring moves beyond human anatomy, using construction to enlarge, displace, and reconstruct the dressed body

Open Studio Homme Plissé Issey Miyake: Henri Matisse, The Snail and the pleats
Matisse cut and pinned paper coated in gouache; Homme Plissé Issey Miyake sets pleats in with heat and pressure. At Tate Modern, Open Studio puts the two methods side by side.

Dracula without images: how Audible builds cinematic horror
An interview with Robin Morgan-Bentley, director of scripted drama and original fiction at Audible UK, on how Dracula is built as cinematic audio, from editorial development to studio recording and Dolby Atmos.

Homo Faber: respect and attention: the message it spreads offers civic value
In Venice, on the island of San Giorgio, Homo Faber 2026: imagination is that confusion that resembles the sky, but a cornucopia can offer flowers and some salad


































































